slamming funky vocal trip ...incl problem kid dub

cool minimal funky tech styled house

brill various styled and groovin tech house tracks !! eriko tanabe aka davide squillace….tipp mix2

rerelease !! ultraphat techno schranz 4 track ep…chris liebing style

phat electro-rock- pop longplay

brill electro cuts made in detroit

4 track monster minimal ep!!!!

a stunning two-tracker of pumping deep house and jazzy, funky broken beat styles. on audio foolhe teams up with vocalist james torme (son of mel) for a smooth excursion. the flipside goes heavy on cpens trademark synths with hot 80?s sounding synth stabs, rolling bassline and a stonecold electronic boogie beat

a perfectly shaped minimal yet deep, fresh and funky techno record! wicked debut!

punk rock electro tracks with female fox.. ersatz quality..

slamming funky discoid traxx… ashley beedle remixes / >> special backstock !!

aka brian aneurysm, all 4 tracks are tough but deep at the same time, something echopilot is really good at! welcome to digital deepness!

knallfette electro cuts…floorbomben

limited edition 7inch split release detroit new wave flav. electro tracks.. check!!

slamming funky shakin house tunes

phat classic hardtechno / schranzz techno !!

strong rockin & bassheavy progressive tracks

durchgeknallte space wave sause der wahnwitzigen briten. amüsement der woche !

stron dark punk like electro house monster !! us-pressung !!

phatt minimal compilation zum lauschen und tanzen, es wird gegroovet, geschaffelt, geswingt und vieles mehr Ó

Ó.

brill phunky electroid techhouse clubber!

the opening =tribal tech-house builder to rock every club, whereas idle inside is one of the hardest tracks jeff did. finally ignoring, a typical jeff bennett dub tech-house track ¹funky rhythms, sexy stabs and dubby basslines

zwei ganz famose remixe von derrick lcarter und switch.einmal funky einmal arschtretend beide gut

minimaler techno. glasklar im sound haben sie ein radikales statement abgelegt.

3 labelheads auf einer 12inch. marco lenzi (molecular), lars klein und michael burkat (audio&compressed) at their best. zwei pulsierende und treibende technoloops ,sowie eine molecular zugabe.big & essential!!!

gabba !

music zum x mal hören

cd version of this longplayer

cd version from koraal longplayer...

bruce aka larry mccarthy is set to release his debut album sonder somatic this october on uk imprint hessle audio. the album packs 11 singular uk club tracks that evoke a distinctly emotive and dense energy, channelling detailed sound designs, tangled textures and club anthems for 2018 and beyond

known for their heavy-hitting, no holds barred approach, lukas, ludwig, dominik and niklas aka fourward, throw down with their inimitable sound design to deliver a stunning new album expansion on shogun audio.

die zeitspanne - fast 8 jahre nach dem gefeierten debŸtalbum -pan-o-rama- und 3 jahre nach der -mobilee back to back- (2cd+dvd) compilation-ausgabe - ermšglichte dem berliner techno-duo die entfaltung konsequenter ideen und visionen fŸr sein zweites album. †ber die spanne von 14 tracks zeigen pan-pot ihr makelloses verstŠndnis fŸr sounddesign, das genreŸbergreifend von peaktime-techno Ÿber experimentelle bŠsse bis pop- und downbeat-einflŸssen reicht. -the other- ist der eindrucksvolle beweis fŸr enthusiasmus, leidenschaft und vollster †berzeugung, und das ergebnis einer polaritŠt, aus der man in symbiotischer weise profitieren kann. nach primetime-slots auf namhaften festivals wie time warp, creamfields oder jŸngst glastonbury, haben pan-pot seit diesem sommer auch eine eigene dj-residenz fŸr den hyte event im amnesia auf ibiza inne. kurzum: der stein rollt und er rollt mŸhelos aufwŠrts.

jewel case cd, 4 panel booklet, inlay card

hessle audio prŠsentiert des selbstbetitelte albumdebŸt von pearson sound, aka labelmitbetreiber david kennedy. im ansatz minimalistisch, verwenden seine neun tracks eine handvoll von elementen und šffnen dem hšrer faszinierende, in sich geschlossene welten, lebendig mit bewegung und voller unterschwelliger detailarbeit: von riesigen und farbigen landschaften, zu elektrisierenden rhythmus-tracks, wo schichten von schlagzeug und bass Ÿbereinander liegen wie felsen nach einem erdrutsch. kennedys weitreichendstes gesamtwerk bis heute, eine suite von aufregend impulsiver, ausdrucksstarker und offener musik.

excellent ambient- dubstep experience by icicle

nic tvg, aka producer nic taylor, has been lurking in the shadows since 2010, occasionally stepping forward to deliver decidedly dark, murky and unusual blends of drum and bass, abstract electronica and leftfield beats.

andy pain & z connection, the production duo from st. petersburg, russia come correct with their exciting new album for hustle audio. with their refined sound they are already carving their way into the drum & bass world and have turned heads with tracks on demand records, im:ltd and more.

nach ihrem debuet >genesis device< veroeffentlicht audio nun sein zweites album auf virus rec.>soulmagnet< ist zu 100prozent virus - elf tracks voller power, basslines, baesse & energie!

dj frictions shogun audio, eines der besten drum & bass, dubstep-labels aus uk, praesentiert spectrasoul! spectrasoul sind absolute shootings stars in der drum & bass, dubstep-uk szene. mit vielen veroeffentlichungen auf labels wie metalheadz, exit recordings, shogun audio oder subtitles haben spectrasoul schon bewiesen, dass sie ihr handwerk beherrschen. minimale drum & bass-beats mit dubstep-einflŸssen praegen den spectrasoul-sound. das albumdebuet >delay no more< kann sich absolut sehen lassen und wird jeden drum & bass, dubstep-fan begeistern!

nach angerfist und den noisecontrollers setzt cloud 9 seine reihe mit neuen studioalben der ultimativen hardstyle / hardcore-protagonisten fort - diesmal geben sich evil activities die ehre! -extreme audio- ist das dritte studioalbum von evil activities, alias kel van soest aus den niederlanden. seine beiden vorgaenger -dedicated- (2003) und -evilution- (2008) zaehlen heute zu den klassikern des hardcore, zusaetzlich lieferte der produzent zahlreiche hardcore-hits auf kultlabel wie neophyte records. nun also gibt er der hardcore-gemeinde mit -extreme audio- ordentlich was auf die muetze, dass die ohren schlackern!

justice, the french duo formed by gaspard auge and xavier de rosnay, is the band of a whole generation. when the two friends were still bright students in graphic design, in 2003 they made justice a place to experiment a hybrid genre between music and image, which blends pop and electronic borders, and showcases the talents of 2 fascinating passionate pop culture craftsmen, bored with hierarchy. they met pedro winter who had just founded his label ed banger records, he immediately signs them after listening to >we are your friends< which, with its joyful and vitamin-enriched electro beats combined with exhilarating voices, became the hymn of a whole generation and one of the most important tracks of the year 2000, celebrating a reconciliation of pop music and the dancefloor.

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.